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Our Sashiko Story to Your Sashiko Journey

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My family, who revived Sashiko & tried to protect it, prohibited “Sharing” the S

atsushijp, 2023年3月13日

My family, who revived Sashiko & tried to protect it, prohibited “Sharing” the Sashiko they practiced among us. All Secret unless they are one of us. No photos were allowed in the store. Workshops were merely for entertainment – not for learning the important essence. It was how they (& many others) tried to preserve/protect their tradition. Keeping “it” secret was once a way to protect it.
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The Internet changed it. One photo, one video, one technique can be copied and spread to the entire world as if it is the answer. There is no way to keep anything in a secret box any longer. Well, it is actually a happy case if the copy was done properly & carefully. In a trend (where speed & short are important), anyone can be a teacher (master) of anything at any point. The Internet mixed both stones and gems. It is our own responsibility to find (define) what is valuable among many types of “answers” as instant gratifications.
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It is impossible to keep it secret. Therefore, I decided to share everything. I mean, “EVERYTHING” so that the culture (People & Stories) won’t be lost. I offer Workshops & Classes with fees to make the culture more sustainable, but it isn’t the requirement to enjoy Sashiko. I want everyone to enjoy Sashiko – and I even “encourage” them to copy & share, with one sincere favor & demand: to articurate where “it” comes from. In 2023, my focus is to speak about the importance of this “Upstream” of the culture (please find an analogy with “River”). I really appreciate those who list this account when they share their own fantastic Sashiko works (They are “beyond” my teaching and all achievements are theirs… I just appreciate them/you for mentioning us).
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There is a reason I call what I do as “Teaching”. It isn’t like a workshop “Let’s enjoy Sashiko Together”. Teaching is comprehensive, logical, and therefore meaningful in both technique & understanding (Connecting). That’s what “learning” is, right?
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「守る為に隠す」時代は既に終わり、「(全て)公開する」というのが唯一の「守る」方法なのかもしれません。共有すること守るという個人を超えた所での価値観は、戸惑いもありますが慣れてしまうと案外気楽なものです。ここで見聞きすることは全て真似てもらってOKです。それが守る手段なのだから。唯一のお願いは真似た先を明確にしてもらうこと。誰に習い、誰に伝えるかというのが肝心なのだろうと思います。
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2023-03-13 04:36:50




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Comments (15)

  1. Karla says:
    2023年3月12日 at 8:02 PM

    Love that phrase ‘Internet mixed both stones and gems’ 😍

    Reply
  2. Lenore Zitrides Loftus says:
    2023年3月12日 at 8:40 PM

    Thank you!!!

    Reply
  3. Sophie Drouvroy says:
    2023年3月12日 at 8:41 PM

    🙌

    Reply
  4. Arlitia Jones says:
    2023年3月12日 at 8:55 PM

    I am continually grateful for your posts. Thank you.

    Reply
  5. HSH says:
    2023年3月12日 at 9:02 PM

    🙏🏼🪷🧵🪡

    Reply
  6. Kimiko Hawkes says:
    2023年3月13日 at 1:11 AM

    🔥So well said! 🙌❤️

    Reply
  7. Barbara Weiland says:
    2023年3月13日 at 5:25 AM

    ❤️

    Reply
  8. XXXX says:
    2023年3月13日 at 6:25 AM

    ❤️

    Reply
  9. Molly Prescott says:
    2023年3月13日 at 6:38 AM

    I just love her work!

    Reply
  10. Barbara Ghini says:
    2023年3月13日 at 8:10 AM

    I agree completely, in Italy too there are so many artisans that not sharing their knowledge, their arts, simply dying their art, knowledge and culture has been lost, and this a real shame, worst than sharing in internet..our society needs wise people that share their wisdom.. for who wants to learn .

    Reply
  11. Elisa Victorio Gómez says:
    2023年3月13日 at 8:44 AM

    Que maravilla

    Reply
  12. Susan Eiseman Levitin says:
    2023年3月13日 at 11:09 AM

    This resonates strongly for me. Jewish tradition, too, values honoring our teachers by name when we share what we have learned from them.

    Reply
  13. Ana Gertner says:
    2023年3月13日 at 12:05 PM

    Splendid

    Reply
  14. Anonymous says:
    2023年3月13日 at 6:16 PM

    👏👏👏

    Reply
  15. Marilee Henneberger says:
    2023年4月5日 at 8:06 PM

    I am an historian by education and training and a fiber goods maker by preference. One thing I know to be true, with countless tragic examples throughout our human existence, is that when a culture tries to hold its secrets too closely, they will eventually be lost to posterity. Isn’t it much better to do as SashikoStory is doing? Imparting knowledge and embroidery skills accompanied by the cultural stories associated with the craft? This way, we can appreciate sashiko in its proper context.

    Reply

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