Welcome to Our Sashiko Archive

Our Sashiko Archive is a collection of stories, reflections, and educational resources about Sashiko, Boro, and the cultural context surrounding Japanese hand-stitching traditions. While Sashiko is now often associated with visible mending, geometric patterns, sustainability, or slow fashion, these ideas are only one part of a much larger story.

This archive preserves more than eight years of writing, sharing, teaching, and conversation based on both research and lived experience. As someone born into a Sashiko family in Takayama, Japan, I have spent much of my life surrounded by the people, values, and stories that shaped the practice long before it became widely known overseas.

This archive is also closely connected to my book, Sashiko: The Untold Story, which explores the history, philosophy, memories, and cultural misunderstandings around Sashiko in greater depth. I hope this site becomes a place to begin, continue, or deepen your understanding of Sashiko beyond simple definitions.

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What is Sashiko?
Discover the history, purpose, and cultural background of Sashiko beyond the common stereotypes of “visible mending” or “embracing imperfection.”

What is Sashiko?
Discover the history, purpose, and cultural background of Sashiko beyond the common stereotypes of “visible mending” or “embracing imperfection.”

What is Boro?
Explore the meaning of Boro, how it emerged through generations of use and repair, and why it is best understood as an outcome rather than a technique.

Learn Sashiko from Atsushi
Find information about workshops, online classes, lectures, and opportunities to study Sashiko directly from a Japanese artisan.

About Atsushi Futatsuya
Learn about the author of this archive, his family’s Sashiko heritage, and the ongoing work of sharing and preserving stories connected to Sashiko.

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20x speeded video of Sashiko Stitching on a Coaster size fabric. I completed Sas

atsushijp,

20x speeded video of Sashiko Stitching on a Coaster size fabric. I completed Sashiko in 45 minutes or so in yesterday’s live streaming, and made it to 1:30 short video.

I realize that I spend a lot of time in “Non-Sashiko” process such as rotating the fabric & smoothing the fabric. Well, I can speed up my stitching more 😀 — 新作（予定）の刺し子コースター。
昨日の配信で刺し子をして、なんだかんだで45分くらいで刺し子ができたので、20倍速にしてみました。見て思うのは、やっぱり「刺し子をしている時間」以外が多いのよね。糸こきしたり布を回転させたり。まだまだ効率は上がるわなと。 — class=”instagram-media” data-instgrm-permalink=”https://www.instagram.com/reel/BlYLJZfHQWD/” data-instgrm-version=”14″ style=” background: border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% – 2px); width:calc(100% – 2px);”> 

2018-07-18 11:17:41




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@SashikoStory

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Comments (2)

  2. @varnatulika Sorry for the late reply. Yes, traditionally, we stitch from the backside of fabric. There are a few reasons. I will try to make a video or an article about why we do it. There are reasons why we do from the back. Of course, there is no “wrong” even if you stitch from the front.

    Reply

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